Sound: Explaining Power and Pressure

Sound Power…  When I hear that term all I can think of is the classic commercial Maxell®Sound made in 1983.  I was only a year old when that commercial graced the presence of everyone’s TV.  I did see it throughout the years and recall recording Casey Kasem’s Top 40 on Maxell cassettes.  Then, in college it was a classic poster you would see around the dorms.

1(Maxell / Retrontario, 2009)

Needless to say, this does show sound power and sound pressure which is the point of this blog. This video however is not an industrial environment that most of us are accustomed to when worrying about the sound power / sound pressure within an environment.

If you observe the video above the speakers and the driver of the speakers is the generator of sound power.  That is the energy rate emitted by a source.  This power then begins to fill a space which is equivalent to the sound intensity.  This is because the sound energy has a direction that is given to it, think of the speaker.  The speaker gives the sound energy a vector to travel.  Then when the vector hits surfaces that is the sound intensity.

This sound intensity can then be interpreted as the sound power transfer per unit of surrounding surface at a distance.  This will then give the information needed to convert the information to the Sound Pressure level.  This is the force of a sound on a surface area perpendicular to the direction of the sound.

With this information we can then observe the logarithmic unit (or value) used to describe the ratio of sound power, pressure, and intensity, the decibel.  The decibel is what all industrial hygienists and safety personnel are concerned with.   In the end, all of this is started at the point of power generation, when observing compressed air blowoffs, this is the exit point of air from the device.  If you optimize the point of use device to use the least amount of compressed air and be the most efficient then the amount of sound power being generated and eventually being measured as decibels at an operator’s work station, then the result will be lower ambient noise levels.

If you would like to see any of the math behind these conversions (an amazing blog by our own Russ Bowman), click the link. If you want to discuss optimizing your compressed air operations and lower the noise level of the compressed air products in your plant, please contact us.

Brian Farno
Application Engineer
BrianFarno@EXAIR.com
@EXAIR_BF

 

 

 

Video Source: Classic Maxell Cassette commercial – Retrontario – https://www.youtube.com/watch?v=Zk71h2CQ_xM

 

EXAIR’s Huge Variety of Air Nozzles is Like an Equalizer for your Application

MCS 3035 Final

Many of us are familiar with what an equalizer (EQ) looks like and what it does. Unfortunately, sometimes they get a bad rap from so-called audiophiles, which in my opinion are defined individuals who spent so much money on their equipment they can’t afford to buy any music to play!  Typically, they insist that tone controls must be set to flat because the sound recording engineers mastering the music have already equalized the recording to perfection and if you need to attenuate or cut certain frequencies it is an indicator of poor-quality equipment, and that is simply is not true!

Let’s consider some of the reasons why an equalizer makes sense and, in my opinion, an absolute necessity. The objects and materials in the room will change the sound reproduction characteristics of any speaker system.  If you have large floor standing speakers positioned in the corners of the room, sitting directly on wood floors the speakers are now “acoustically coupled” with the floor and the walls.   On the other hand, if you move the speakers away from the wall and/or place them on spikes or stands (isolating them for the floor) you would have “acoustically de-coupled” the speakers from the walls and floor, which will reduce the bass or low-frequency loudness. This all affects the perceived loudness and/or quality of the music we want to listen too.

This is where the graphic equalizer shines, no need to move the speakers around or use speaker stands or spikes.  An equalizer will allow you to increase or decrease the loudness of multiple frequencies.  You can completely customize your sound to suit your tastes, overcome issues with your listening room acoustics, the speakers you are listening with or even anomalies with the music recording.

Like adjusting an equalizer to suit your room acoustics, speaker size and/or speaker frequency response, EXAIR understands that the need for many different options gives you the necessary adjustments for a successful application.  A few sizes of Air Nozzle, Air Jet or High Force Air Nozzles will not solve every application with the highest efficiency or effectiveness.  EXAIR’s air nozzle variety allows you to produce maximum effectiveness based upon the air pressure and air volume you have available.  Whether you need a strong blast or a gentle breeze, if you have tricky mounting positions or remote applications, EXAIR has the largest selection to choose from and solve your production problem.

We clearly state compressed air volume requirements in SCFM (Standard Cubic Feet per Minute) at a given operating pressure in PSI (Pounds per Square Inch), force at 12” from the compressed air outlet and the sound loudness in dBA at 3′ from the nozzle. These details provide the starting point for selecting the best air nozzle.

When you are looking for expert advice on safe, quiet, efficient, and engineered point of use compressed air products give us a call.   We would enjoy hearing from you!

Steve Harrison
Application Engineer
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