Measuring and Adding Sounds

My colleague, Russ Bowman, wrote a blog about “Sound Power vs Sound Pressure vs Sound Pressure Level”.  He discussed the logarithmic equations around sound.  I will be discussing what happens when you have more than one sound source, as often heard within manufacturing plants.  Sounds can be added together to determine the overall sound level that you hear.  This is very important when it comes to minimizing hearing loss.

In looking at a single source of sound, sound pressure is created by the loudness of a noise.  The units are measured in Pascals.  The lowest pressure perceived by human hearing is 0.00002 Pa, and we can use this value as a reference point.  From sound pressures, we can arrive at a sound pressure level which is measured in decibel, dB.  This correlation between sound pressures and sound pressure levels are calculated by Equation 1:

L = 20 * Log10 (P / Pref)

L – Sound Pressure Level, dB

P – Sound pressure, Pa

Pref – reference sound pressure, 0.00002 Pa

As an example, the sound pressure from a passenger car as heard from the roadside is 0.1 Pa.  With Equation 1, we can get the following decibel level:

L = 20 * Log10 (0.1Pa/0.00002Pa) = 74 dB

Because human ears are sensitive to different frequencies, the sound pressure levels can be modified, or weighted, to indicate an effective loudness level for humans.  This adjustment is done in two different ways; A-weighting and C-weighting.  The C-weighting is for very loud noises with high peaks or sharp impacts like gunfire. The A-weighting is the most used value as the sound pressure levels are adjusted by the frequency level.  For higher and lower frequencies, the change in the sound value is much greater than the mid-level frequencies that are within our hearing range.  Sound measurements for safety are measured on an A-weighted scale.  OSHA created a chart in the standard 29CFR-1910.95(a).  It shows the noise levels over exposure times for an operator.  To use the OSHA chart accurately, the total noise level in dBA should be calculated.

Hearing loss is the best known, but not the only, ill effect of harmful noise exposure. It can also cause physical and psychological stress, impair concentration, and contribute to workplace accidents or injuries.

To determine the total sound level, we can add all the sound pressure levels together by Equation 2:

Equation 2:

Where L1, L2… represents the sound pressure level in dBA for each sound source.

As an example, a manufacturing plant had an operator using a machine that had four copper tubes to blow off a cutting operation (reference photo below).

Blow off station

The decibel level for a copper tube was measured at 98 dBA.  The total amount of sound that the operator was exposed to was determined by Equation 2 with four values.

L = 10 * log10 (109.8 + 109.8 + 109.8 + 109.8)

L = 104 dBA

In looking at the OSHA chart above, the operator would only be allowed to operate the machine only a little over one hour without hearing protection.  In this same example, we replaced the copper tubes with an EXAIR Super Air Nozzle, model 1100SS.  The noise level for each nozzle is 74 dBA at 80 PSIG (5.5 bar).  By replacing all four copper tubes with Super Air Nozzles, Equation 2 becomes:

L = 10 * log10 (107.4 + 107.4+ 107.4 + 107.4)

L = 80 dBA

The total sound level is now in accordance with OSHA regulations for the operator to work all 8 hours at the machine without hearing protection.

A commonly used acronym for hearing safety is NIHL, or Noise Induced Hearing Loss.  To keep your operators safe and reduce NIHL, it is important to measure the total sound level in that area.  As a protocol in safety, it is a requirement to use engineering standards before purchasing personal protective equipment or PPE.  For the customer above, they followed that protocol with our Super Air Nozzles.  If you need to reduce noise levels in your facility, EXAIR offers a large line of blow-off products that can meet the safety requirements.  You can contact an Application Engineer for more information. 

John Ball
Application Engineer
Email: johnball@exair.com
Twitter: @EXAIR_jb

Photo: Ear by PublicDomainPictures  Pixabay License

EXAIR’s Huge Variety of Air Nozzles is Like an Equalizer for your Application

MCS 3035 Final

Many of us are familiar with what an equalizer (EQ) looks like and what it does. Unfortunately, sometimes they get a bad rap from so-called audiophiles, which in my opinion are defined individuals who spent so much money on their equipment they can’t afford to buy any music to play!  Typically, they insist that tone controls must be set to flat because the sound recording engineers mastering the music have already equalized the recording to perfection and if you need to attenuate or cut certain frequencies it is an indicator of poor-quality equipment, and that is simply is not true!

Let’s consider some of the reasons why an equalizer makes sense and, in my opinion, an absolute necessity. The objects and materials in the room will change the sound reproduction characteristics of any speaker system.  If you have large floor standing speakers positioned in the corners of the room, sitting directly on wood floors the speakers are now “acoustically coupled” with the floor and the walls.   On the other hand, if you move the speakers away from the wall and/or place them on spikes or stands (isolating them for the floor) you would have “acoustically de-coupled” the speakers from the walls and floor, which will reduce the bass or low-frequency loudness. This all affects the perceived loudness and/or quality of the music we want to listen too.

This is where the graphic equalizer shines, no need to move the speakers around or use speaker stands or spikes.  An equalizer will allow you to increase or decrease the loudness of multiple frequencies.  You can completely customize your sound to suit your tastes, overcome issues with your listening room acoustics, the speakers you are listening with or even anomalies with the music recording.

Like adjusting an equalizer to suit your room acoustics, speaker size and/or speaker frequency response, EXAIR understands that the need for many different options gives you the necessary adjustments for a successful application.  A few sizes of Air Nozzle, Air Jet or High Force Air Nozzles will not solve every application with the highest efficiency or effectiveness.  EXAIR’s air nozzle variety allows you to produce maximum effectiveness based upon the air pressure and air volume you have available.  Whether you need a strong blast or a gentle breeze, if you have tricky mounting positions or remote applications, EXAIR has the largest selection to choose from and solve your production problem.

We clearly state compressed air volume requirements in SCFM (Standard Cubic Feet per Minute) at a given operating pressure in PSI (Pounds per Square Inch), force at 12” from the compressed air outlet and the sound loudness in dBA at 3′ from the nozzle. These details provide the starting point for selecting the best air nozzle.

When you are looking for expert advice on safe, quiet, efficient, and engineered point of use compressed air products give us a call.   We would enjoy hearing from you!

Steve Harrison
Application Engineer
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