EXAIR’s GEN4 Super Ion Air Wipe provides a uniform 360° ionized airstream that is simple to clamp around a part for reducing static electricity and cleaning contaminants. It is great for use on pipe, cable, extruded shapes, hose, wire and much more. We offer the GEN4 Super Ion Air Wipe in either 2” or 4” inner diameter, it is powered by compressed air and an external power supply. The GEN4 Super Ion Air Wipe generates both positive and negative ions that are transmitted the emitter points located on the i.d. of the wipe. Since static charges can be either negative or positive it is easy to eliminate both states of charge due to the mixed polarity of ions being generated. The power supplies are available with either 2 or 4 outlets (can power up to 2 or 4 GEN4 Static Eliminators simultaneously) and are UL recognized, CE and RoHS compliant. The power supplies also have a selectable input voltage for either 115 or 230VAC.
Another great feature of the GEN4 Super Ion Air Wipe is the split collar design that utilizes a clamp and hinge making it easy to clamp around the surface of the material moving through it eliminating the need for time consuming “threading”.
How does the Super Ion Air Wipe work? The Super Ion Air Wipe envelopes the part passing through it with a stream of compressed air to strip contaminants and bathes it with ions to diminish any static charge. The airflow follows the surface of the material passing through it and can be effective up to 15′ (4.6m) away from where the Super Ion Air Wipe is located. The optional pressure regulator allows for fine adjustments of the air volume and velocity and the optional shim set allows for large air volume and velocity adjustments.
If you would like to discuss reducing static and/or cleaning of continuous runs of materials, I would enjoy hearing from you…give me a call.
I recently worked with an OEM on a cooling application for a gelatin pill forming machine they designed for their customer. In their machine design, the gelatin film leaves an extruding machine then travels between 2 punch rollers to form the pills. After the pills are formed, they are supposed to drop onto a chute feeding a conveyor to carry the pills to the bottling/packaging area.
The problem they were having was the film was retaining heat which caused the pills to occasionally stick to the roller, resulting in rejects and lost production time. They were looking for an economical way to blow cold air across the rollers and film but were concerned about putting too much demand on their customer’s compressed air system.
After reviewing the photos and discussing the details, I recommended they use our Model # 3308 Mini Cooler System with dual point hose kit. The Mini Cooler provides a 50°F temperature drop from the incoming supply air temperature and provides 550 Btu/hr. of cooling capacity. The system includes a swivel mag base for easy installation while the dual point hose kit would allow them to direct the cold air to blow across both rollers from a single device. Compressed air demand is minimal, at only 8 SCFM @ 100 PSIG, alleviating their concern for the customer’s compressed air system.
If you are having heat related issues with your process or to discuss a particular application or product, give me a call, I ‘d be happy to help.
A company had a small converting machine that was winding a plastic film onto a roll. The width of the plastic film was only 3” across, and the amount of tension required for a consistent roll was small. The maximum amount of tension without damaging the plastic film was 16 ounces of force. In converting media onto rolls, it is very important to control the tension on the web to reduce defects like wrinkles, out-of-round rolls, or stretching.
They explained the setup that they were trying. They had a 4” manifold with two 2” wide “duck-foot” nozzles attached. They sent a hand drawing to better describe what they were using. (See below). The issue that they were seeing was too much variation in the blowing force being applied to the film. To get near the correct blowing force, they had to start at an air pressure of about 18 PSIG. As they ran the process, the operator would have to adjust the pressure continuously to evenly roll the film onto the core. The process was out of control, and they wondered if EXAIR had a better way to evenly exert this force.
In analyzing the drawing and their setup, I noticed a couple of things that could cause the variations. I modified his drawing to better explain the situation (Reference below). As compressed air leaves the two flat nozzles, the center section will overlap. This overlap will cause turbulence in the air flow pattern. In order to get an even distribution of forces across the width of the product, turbulence cannot exist. Turbulence is a mixing pattern where the velocity is not linear; thus, causing high and low pressure points on the target. The other thing that I noticed was the low air pressure that they could not go above. This limited the precision of the incremental forces. Because of the fixed openings of the two nozzles, they had to have a ceiling with the air pressure at 18 PSIG for 16 ounces of force. If they had to “bump” the force level, the change was difficult to hit exactly. If we divided the 16 ounces of force between 0 – 18 PSIG, we would get roughly 0.9 ounce of force per PSIG. You lose the accuracy to make fine adjustments.
I recommended our model 110003, 3” Super Air Knife and a model 110303 Shim Set. The Super Air Knife blows compressed air across the entire length. Without any overlap, the flow is laminar, and the velocity profile is moving in the same direction. Thus, an even force across the entire 3 inches. The Shim Set comes with additional shim thicknesses of 0.001”, 0.003”, and 0.004” thick (the standard thickness of 0.002” is installed in the Super Air Knife). In working with such a precise force requirement, they needed additional options for more control. They could change the shims as a coarse adjustment and adjust their pressure regulator as a fine adjustment. This combination gave them the best results to accurately dial in the correct force and not damage the material. With the maximum requirement of 16 ounces across 3 inches of film, they were able to change the shim to the 0.004” thickness. For the model 110003 Super Air Knife, it put them at a maximum pressure of 86 PSIG, not 18 PSIG. Thus the increment was now 0 – 86 PSIG for 16 ounces of force, or 0.19 ounces per PSIG. There was much more resolution to make smaller changes to the force levels thus optimizing their adjustment range.
In replacing the competitor’s product with a Super Air Knife, our customer had all the necessary control to wrap rolls of film without issue. The setup with the nozzles on a manifold design resulted in turbulence, which was noisy and produced inconsistent results. It also restricted their adjustment resolution in changing forces, as they do not use shims. If you would like to exert a greater degree of precision blowing with products like the Super Air Knife, please contact us. We would be happy to discuss your application and help you meet such goals.
Over the year that I have worked at EXAIR so far I have had a fair share of calls come in from movie production / filming crews that are looking for ways to keep the camera lenses clean and clear of water during the wet shoots they are doing. Several film houses and production crews have had exceptional results using our Air Knives.
Let’s say you are shooting a film in the rain, or a pool shot, anything involving liquid flying toward the lens of the camera. You will probably already have your camera in a protective case, or poncho, to keep it from getting wet but you can’t put anything over the lens to protect it from getting droplets on the lens which will ruin the shot. (Similar to this video of a not so fun track day.)
What the crews will do is mount our Air Knife across the top of the camera lens blowing downward to create a barrier of air for the lens. This won’t disturb the shot or the focus like a protective sheet of Lexan or glass could. What the air stream will do is help keep all the droplets off the lens and blow the water away from it. A Super Air Knife or Full Flow Air Knife typically works just fine and doesn’t consume a lot of compressed air or nitrogen. Which is generally present on most shots or you can get it very easily from a rented compressor. If the video above would have been a filmed shot from a stationary point the film would have been nice and clear if an EXAIR Air Knife would have been present to blow off the rain. It could have even turned out something like this.
So if you are filming a movie and debris or water on the lens is a problem just give us a call. We’ll help you size the appropriate Air Knife for the lens you are using.
Oh yeah. That second video is me.